Word Of Honor -2003 Film- -

Thirty-two years later, Vic Deakins is a successful pharmaceutical executive in upstate New York. He has a beautiful wife, a son in college, and a reputation for quiet integrity. The war is a locked drawer in his mind. Benjamin Tyson, however, never left the jungle. He teaches military history at a small college, drinks too much, and stares at the ceiling at 3 AM. The ghosts of My Lai—for that is what it was—follow him everywhere.

"I know."

In the sweltering heat of a forgotten Vietnamese jungle in 1971, Lieutenant Victor "Vic" Deakins gave an order. It was a simple order, born of fear and fogged by the screams of his dying men. "Search the village," he'd said, but his second, Lieutenant Benjamin Tyson, had heard something else: "Burn it."

"They’re asking about the village, Ben." word of honor -2003 film-

Then, a crusading journalist named Julianne Miller, researching a book on unreported wartime massacres, unearths an old Vietnamese woman’s testimony. The woman, whose entire family perished in the fire, has never stopped searching for the "young lieutenant with the soft voice." Miller’s investigation points directly at Deakins.

"I’m sorry," Deakins whispers.

But Deakins’s son, home from college, looks at him with cold, new eyes. "Dad, is it true?" Thirty-two years later, Vic Deakins is a successful

"No, Dad," the son replies. "For the first time, I’m proud of you."

A collective sigh from the military brass. The lawyer smiles.

At the hearing, the room is packed. Television cameras glare. The chairman asks the question: "Lieutenant Deakins, on April 17, 1971, did you order the deliberate killing of non-combatants in the village of Thien An?" Benjamin Tyson, however, never left the jungle

The room erupts. Tyson, watching on a crackling television in his dusty living room, puts his head in his hands and weeps—not for himself, but for the friend who just did what he could not.

And in a small house in Vietnam, an old woman receives a letter from the journalist. It contains a copy of Deakins’s confession. She does not read English. But she sees the photograph of the young lieutenant attached to it. She touches the paper with trembling fingers, nods once, and places it on an ancestral altar next to a faded photograph of a family that no longer exists.