Tomo Sojerio Nuotykiai - Filmas

“That’s the best kind of film,” Ula said.

“That camera belonged to Jurgis Mažonis,” he said. “The greatest Lithuanian director you’ve never heard of. In 1989, he was making a film about a demon who steals stories. He called it The Eternal Intermission . But halfway through, the demon escaped. It hid inside the camera. Jurgis disappeared into the final reel.” Tomo Sojerio Nuotykiai Filmas

Tomas never made another movie. But sometimes, at sunset, he and Ula would sit in the abandoned cinema, and he’d tell her a new story. Just words. No camera. No curse. “That’s the best kind of film,” Ula said