Erin was stunned. She realized these students, hardened by gang violence and systemic neglect, were living in the trenches of their own war but knew nothing of the ones that came before. So she put away The Scarlet Letter and Great Expectations . Instead, she brought in rap lyrics and compared them to the poetry of the Bosnian conflict. She confiscated a diary from a girl who had been beaten and read an excerpt from The Diary of Anne Frank .
Another asked, “What are Jews?”
The turning point came one afternoon when she intercepted a racist caricature of a Black student being passed around the room. The drawing had grotesque, exaggerated lips. Furious, Erin stood up and shouted, “This is the exact type of propaganda the Nazis used to dehumanize the Jews during the Holocaust.”
They read Zlata’s Diary , the story of a girl surviving the siege of Sarajevo, and wrote to the author. She wrote back. They raised money to bring Miep Gies, the woman who hid Anne Frank, to California. When the elderly Miep told them, “You are the real heroes,” hardened gang members wept. the freedom writers
The class began calling themselves the “Freedom Writers”—a deliberate echo of the civil rights-era “Freedom Riders.” They saw their pens as their weapons, their education as their emancipation. They broke the racial code. Latino students sat next to Cambodians. Black gang members protected the smaller kids. They formed a family, not because they were told to, but because they chose to.
Erin Gruwell’s contract was not renewed after her fourth year—the administration said she was “too intense.” But by then, she had already won. The students she was never supposed to save had saved themselves.
But the school administration was not supportive. The English department head told Erin she was “coddling” the students and refused to give her new textbooks. The principal was annoyed by her after-hours tutoring and her habit of taking kids to the opera or to see Schindler’s List . To pay for books and field trips, Erin worked three jobs: teaching by day, selling hotel switchboard equipment by night, and braiding rugs on weekends. Erin was stunned
On her first day, Erin was greeted with a middle finger. The second day, a spitball. The third, a full-blown race war in her classroom. She learned that the only thing uniting her students was their contempt for authority.
Two years earlier, Wilson High had been a prestigious, predominantly white school. But following a voluntary desegregation program, the school’s demographics had flipped. Erin’s “English 1” class was not the advanced placement track she’d expected; it was a dumping ground for students the system had already labeled “unteachable.” They were Black, Latino, Cambodian, and Vietnamese kids—gang members, deportees, refugees, and foster children. They hated school, hated each other, and were far more familiar with the crack of gunfire than the crack of a book spine.
“Anne Frank hid for two years,” Erin told them. “You hide every day just to get home.” Instead, she brought in rap lyrics and compared
Here is the complete story of The Freedom Writers . In the fall of 1994, a twenty-three-year-old idealist named Erin Gruwell walked into Room 203 at Woodrow Wilson High School in Long Beach, California. She was fresh-faced, wore pearls, and carried a trunk full of leather-bound classics she assumed her new students would love. She had no idea she was walking into a war zone.
Her students noticed. They saw her exhaustion. They saw her refuse to give up. And something extraordinary happened: they started to believe they were worth fighting for.
One student raised a hand. “What’s the Holocaust?”