
Regia Andrea Segre
Prodotto da Francesco Bonsembiante, Jolefilm (Italia)
in coproduzione con Francesca Feder, Æternam films (Francia)
in collaborazione con RAI CINEMA
in coproduzione con ARTE France Cinéma
con la partecipazione di ARTE France
con il sostegno di Eurimages e Regione del Veneto
in associazione con Marfin srl, Tasci srl, Bencom srl, Nordesteuropa Editore srl, Orsoni Davide ai sensi delle norme sul tax credit - legge 24 dicembre 2007, n.244 e con Marco Bortoletti, Pino Perri, Mirko Sernagiotto, Mauro Visentin
con il patrocinio di Comune di Chioggia
con il supporto di Roma Lazio Film Commission, Consorzio di promozione turistica ConChioggiaSÌ, ZaLab Tamil Sex Hd Video Hit -
Distribuzione Parthénos
Vendite internazionali Adriana Chiesa Enterprises Kollywood succeeds when it understands that romance for
Il DVD di Io sono Li è stato pubblicato da Rai Cinema - 01 distribution For the uninitiated, Tamil cinema (Kollywood) is often
Per acquistare il DVD: La Feltrinelli, Amazon, ibs, Mondadori Store, Zalab.
Sito officiale del film: www.iosonoli.com
Lungometraggio, 2011, 35mm, 96'
Kollywood succeeds when it understands that romance for a Tamil audience is deeply tied to . A hero jumping off a helicopter is forgettable; a hero sitting on a train platform, crying silently while a letter burns ( 96 ), is unforgettable. The best Tamil relationships are not fantasies of escape; they are mirrors held up to the audience’s own unfulfilled desires, forgotten first loves, and the painful, beautiful negotiation of staying together against all odds.
For the uninitiated, Tamil cinema (Kollywood) is often synonymous with high-octane action, larger-than-life heroes, and meticulous political commentary. However, the beating heart of every successful Tamil film—from the golden age of M.G. Ramachandran to the pan-global dominance of RRR and Leo —has always been its nuanced, deeply emotional, and often revolutionary relationships and romantic storylines .
Zhao Tao
Rade Sherbedgia
Marco Paolini
Roberto Citran
Giuseppe Battiston
Giordano Bacci
Spartaco Mainardi
Zhong Cheng
Wang Yuan
Amleto Voltolina
Andrea Pennacchi
Xu Guo Qiang
Sara Perini
Federico Hu
Regia e soggetto Andrea Segre
Sceneggiatura Marco Pettenello e Andrea Segre
Fotografia Luca Bigazzi
Montaggio Sara Zavarise
Musiche originali François Couturier
Organizzatore generale Nicola Rosada
Suono in presa diretta Alessandro Zanon
Scenografia Leonardo Scarpa
Aiuto regia Cinzia Castania
Casting Jorgelina Depetris
Costumi Maria Rita Barbera
Segretaria di edizione Gina Neri
Kollywood succeeds when it understands that romance for a Tamil audience is deeply tied to . A hero jumping off a helicopter is forgettable; a hero sitting on a train platform, crying silently while a letter burns ( 96 ), is unforgettable. The best Tamil relationships are not fantasies of escape; they are mirrors held up to the audience’s own unfulfilled desires, forgotten first loves, and the painful, beautiful negotiation of staying together against all odds.
For the uninitiated, Tamil cinema (Kollywood) is often synonymous with high-octane action, larger-than-life heroes, and meticulous political commentary. However, the beating heart of every successful Tamil film—from the golden age of M.G. Ramachandran to the pan-global dominance of RRR and Leo —has always been its nuanced, deeply emotional, and often revolutionary relationships and romantic storylines .
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