He’s not the most interesting person in the room—by design. He’s the loyal observer, the one who loves too late and acts too hesitantly. His unreliability is subtle but crucial. You’ll finish the book questioning not just who did what, but whether Oliver has been performing for us all along.
The seven leads (the “villains” of the title) are archetypal but never flat: the Hero, the Villain, the Tyrant, the Temptress, the Ingénue, the Character Actress, and the narrator Oliver as the “sidekick.” Their relationships are toxic, obsessive, and deeply loving. Rio captures how people who create art together can also destroy each other with surgical precision. If We Were Villains
The first third is deliberately slow, steeped in rehearsal schedules and Shakespearean jargon. If you don’t have at least a passing familiarity with the major tragedies, some references may fly over your head (though the emotional beats still land). Patience is rewarded, but some readers may find it indulgent. He’s not the most interesting person in the